Specs
144 pages
170 × 205 mm
88 colour plates
section-sewn quarter-bound debased hardcover
Edited by
Sarah Chaplin Espenon
Designed and published by
Loose Joints
publish date
2024
pick up at Homecoming Gallery
2025
published by Libraryman
Two new identities: Mother and Motherless. The collision of birth and death marks the inception of what has become a long-running commentary, nearly a decade in the making.
In-Passing began in 2015, the year Lisa Sorgini (b. 1980, Australian) became a mother to her first child, shortly followed by the loss of her mother to illness.
Initially, the creation of images served as both a determined witness to a new reality and a therapeutic outlet for her grief and awe. The images are saturated with the profound metamorphosis that accompanies motherhood, representing the corporeal and psychological shifts that redefine the self. Reminiscent of the adolescent journey, this evolution of identity navigates a liminal space where the maternal self simultaneously vanishes and is reborn—a quiet reinvention at the threshold of both loss and renewal.
In its most apparent form, it is a visceral account of the chaos and intimacy within the familial space during her children’s formative years. Each image speaks to the complexities, intimacy, and emotional landscapes of the mother-child universe.
Beyond this, there lies the pursuit of something more elusive—an intangible force that lingers at the periphery of memory and consciousness. It embodies the unspoken weight of motherhood, shaping each experience in ways that are deeply felt but not always easily understood.
€50,00
Specs
144 pages
170 × 205 mm
88 colour plates
section-sewn quarter-bound debased hardcover
Edited by
Sarah Chaplin Espenon
Designed and published by
Loose Joints
publish date
2024
pick up at Homecoming Gallery
Pick up at Homecoming Gallery only
Frederiksplein 45
1017 XL, Amsterdam
The Netherlands
Learn more about this artworks sizes, editions and prices
Lisa Sorgini (b. 1980)’s work has been exhibited internationally: a solo exhibition of Behind Glass at The Centre for Contemporary Photography in Melbourne, Australia (2013) and as part of PhEST and Ragusa photo festivals in Italy and Ballarat Photo Festival in Australia. She has been recognised in awards including the Taylor Wessing Photographic Portrait Prize (UK), the National Portrait Prize (Aus), the Lucie Portrait Project, Head-On photo awards, Portrait of Humanity and Australian photography awards and featured in The New Yorker, The New York Times, and TIME Magazine. Her debut monograph, Behind Glass (Libraryman, 2022), is now out of print.
Lisa Sorgini's work has connected women, mothers, and children from all around the world. Lisa’s distinctive photography is both romantic and real, showing the many faces of being a mother.
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