Mia Weiner’s research focuses on the way the human figure has been represented and in particular how female subjects have often been depicted as objects. How do we shift that gaze, that power dynamic, that narrative?
“I engage in histories of portraiture, using my own body in each weaving along with the models that I choreograph. The photographs are then digitally manipulated before being handwoven – body parts are removed, coded objects added, color and contrast shifted. Visibility, time and place are complicated and confused. As the photograph is transformed into cloth, each pixel becomes a crossing of tensioned threads, and the relationship between object and image begins to equalize as the digital becomes haptic. Mostly monochromatic, the works sometimes shift in color unexpectedly or include the visual markers of production or glitch. These glitches and breaks in image become moments for queerness to seep into the cloth and a new point of access and intimacy. My work is about connection, both between bodies and cloth as a shared experience.”