'Rather than using vibrant colours, Kojo Anim solely works with black-and-white, and in doing so creates very compelling imagery. His work holds the middle of fine art and documentary style, a style that I really love. I could see him doing some incredible portraiture work in the future as well.' - Orlando Mensah (Manju Journal)
Q
One of your motivations in your work is to spotlight overlooked Ghanaian culture in its complexity. Could you tell us how you go about it?
A
I enjoy scenes in the Greater Accra region, in places where I go to think, meditate and envision future projects. To creatively spotlight the culture, I focus on specific colours and allow the scene to be an inspiration for me as the photographer, as well as my models.
Up-and-coming Ghanaian photographer Kojo Amin first fell in love with the medium when he discovered his brother’s camera. Fascinated by the flash of the light and the sound of the camera, he immediately became addicted to capturing his surroundings.
Q
When was the first time you were struck by a photograph or another photographer’s work?
A
I enjoy the works of Ghanaian photographer and first photojournalist in Ghana James Barnor. He has powerful black-and-white photos as well as coloured photographs that capture the Ghanaian experience; his images resonate with all people. As a pioneer of photography, who started his professional photography career in 1947, James Barnor’s works captured movement and presented stories that have been a source of inspiration.
Q
A new generation of young West-African photographers like Stephen Tayo, Daniel Obasi and Derick Boateng is emerging. What do you think of this development?
A
It is very exciting to have up and coming photographers from this area. The fact that Stephen, Daniel and Derick are from my region of the continent is inspiring. These artists, who are hailed as the “New Black Vanguard” have been creating works that depict the beauty and range of people of colour both in front of and behind the camera. I am excited that these artists are telling the story of our culture through their creative talent. It shows how the beauty of melanin reaches far and wide around the globe and how experiences of our people can relate to everyone.
Orlando Mensah
art director / co-founder Manju Journal
Back in 2015, Accra-based art director Orlando Mensah founded a new culture platform named Manju Journal. Its mission is to champion emerging talent in photography and other creative disciplines from across Africa and its diaspora, and foster a supportive community along the way.
“What I love about his work is that it instils a sense of hope in the viewer – especially the work Future Leaders that I selected [which shows a boy in a grown man’s suit]. Rather than using vibrant colours, he mostly works with black-and-white, and in doing so creates very compelling imagery. His work holds the middle of fine art and documentary style, a style that I really love.”
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