Rapture 07

oil on linen

92 x 122 cm (36.2 x 48 in)

William Farr (b. 1992, UK) is a British painter based in London. Working in oil on linen, Farr employs a layered and time-intensive process in which pigment is suspended, thinned, and reworked across multiple sessions. His paintings emerge through an iterative practice of application and removal, allowing paint to behave less as substance and more as atmosphere. Surfaces shift with light and duration, resisting immediacy and fixed interpretation. Rather than functioning as expressive gesture, colour in Farr’s work operates as a condition -something to be inhabited rather than decoded. Farr’s practice investigates painting as a site of inward attention, perceptual suspension, and the gradual release of fixed forms of subjectivity. Drawing on the Romantic sublime and the legacy of Colour Field painting, his work proposes painting as a contemplative threshold: an ‘empty place’ in which discipline and intuition, control and surrender, coexist. The immersive quality of the paintings invites sustained looking, asking the viewer to remain with uncertainty and slowness, and to encounter perception itself as a temporal, embodied act. Recent solo exhibitions include Dissolution (Homecoming Gallery, Amsterdam, 2026), Metanoia (Berntson Bhattacharjee, London, 2025), and Attachment (curated by Rubedo at Palazzo Cramer / GoLab, Milan, 2025). He received his MA in Painting from the Royal College of Art in 2024.