A career in the arts wasn’t always in the books for Amsterdam-based collage artist Fenna Schilling. Having enrolled in the bachelor’s degree Philosophy, she temporarily put her collage work – something she had been doing on the side for many years – on the back burner.
After graduation, however, she realised that she felt a bit disillusioned, not knowing what to do with the abstract world she had been studying. Making collages was a much more tangible practice, so she applied to the Sandberg Institute art master’s and started to create works again, not only for herself, but also for friends in the music scene surrounding her. Today, her collage work has become her focal medium. By taking out images out of her monumental and ever-growing collection of old photo books, which she sources in thrift stores and on the streets, and then scanning them in, her work has become somewhat of a hybrid between analogue and digital forms of the medium. Through playing around with different textures and morphing familiar objects into abstract, manipulated shapes, her collages have assumed an otherworldly, dream-like quality.
Here she reflects on her unique practice, what parallels can be drawn between creating collages and composing music sets, and how she wishes to expand her autonomous work.