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Aldo van den Broek

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Aldo van den Broek is a self-taught artist whose work captures the fragile cycles of decay, transformation, and renewal. Shaped by life on the margins, he explores the impermanence of systems—societal, political, and personal—and the resilience that emerges in their collapse. For Aldo, decay is not an end, but a quiet moment of transition where strength and beauty reveal themselves in the ruins.

Through discarded materials like cardboard, wood, metal, and fabric, van den Broek transforms fragments marked by time into layered, textured works. His process of scraping and rebuilding mirrors the cycles of destruction and regeneration, with each scarred surface holding the weight of history and the possibility of renewal. These materials, imbued with their own stories, act as metaphors for the fragility and persistence of identity.

Figures emerge from his fractured surfaces as archetypes—rebellion, mortality, power—inviting viewers into a dialogue about survival, identity, and the tension between control and chaos. Van den Broek’s works reflect deeply personal experiences while resonating universally, asking: What remains when systems fail? And how do we rebuild meaning from the wreckage?

Rooted in materiality and emotion, van den Broek’s practice transforms decay into revelation, challenging us to see beauty not in permanence, but in what persists after collapse.

Homecoming speaks to van den Broek about his unconventional approach to making art, the emotional landscapes embedded in his work, and why he believes beauty often lies in the places we overlook.

“Living on the margins teaches you one thing: nothing is permanent. The city spits these materials out, and I rebuild them—not to save them, but to show how little control we really have.”

Aldo van den Broek

BIO

Aldo van den Broek (‘85, NL) is a self-taught artist whose work captures the fragile cycles of decay, transformation, and renewal. Shaped by life on the margins, he explores the impermanence of systems—societal, political, and personal—and the resilience that emerges in their collapse. For van den Broek, decay is not an end, but a quiet moment of transition where strength and beauty reveal themselves in the ruins.

Through discarded materials like cardboard, wood, metal, and fabric, van den Broek transforms fragments marked by time into layered, textured works. His process of scraping and rebuilding mirrors the cycles of destruction and regeneration, with each scarred surface holding the weight of history and the possibility of renewal. These materials, imbued with their own stories, act as metaphors for the fragility and persistence of identity.

Figures emerge from his fractured surfaces as archetypes—rebellion, mortality, power—inviting viewers into a dialogue about survival, identity, and the tension between control and chaos. Van den Broek’s works reflect deeply personal experiences while resonating universally, asking: What remains when systems fail? And how do we rebuild meaning from the wreckage?

Rooted in materiality and emotion, van den Broek’s practice transforms decay into revelation, challenging us to see beauty not in permanence, but in what persists after collapse

SHOWS:

 

Aldo van den Broek collection

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Aldo van den Broek
The Visitor

Acrylics and soil and wood on wooden panel on wooden frame
204×122 cm

(institutional collection)

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Aldo van den Broek
The Painter

Acrylics and soil on cardboard, fabrics, a brush and wood on wooden panel on wooden frame
135 cm x 181 cm

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Aldo van den Broek & Johnny Mae Hauser
The Observer

Acrylics on velvet w/ wooden frame
180×135 cm

Aldo van den Broek
The Couple

Acrylics, soil, roots and gravel path stones on fabrics, mesh wire, cardboard and paper on bubond on aluminium frame
160×126 cm

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Aldo van den Broek & Johnny Mae Hauser
Petrichor

Acrylics on velvet w/ wooden frame
180×135 cm

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Aldo van den Broek & Johnny Mae Hauser
La Revelación (The Revolution)

Acrylics on wooden panel
50×40 cm

Aldo van den Broek
The Table

Acrylics and soil on tatami and wood on wooden panel
115×105 cm

Aldo van den Broek & Johnny Mae Hauser
The soil that connects us

Acrylics, soil and mesh fabric on wooden panels w/ oak frame
160×180 cm

SHOWS

PHOTO LONDON ’25 | Johnny Mae Hauser & Aldo van den Broek
LONDON | Johnny Mae Hauser & Aldo van den Broek | Postpartum Garden
ZONA MACO ’25 | ‘Resolana’ by Johnny Mae Hauser & Aldo van den Broek
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